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BOP Young Artists

February 2020

BOP Young Artists is a new artist development initiative from Birds of Paradise Theatre Company, supported by The Robertson Trust, and led by BOP’s Development Officer, Morna McGeoch (go to BOP staff).

BOP Young Artists is an artist development opportunity aimed at young people who have experienced barriers in taking part in other artist development opportunities due to an impairment.

This project aims to provide a space where young people with a passion for the performing arts can learn skills and develop their own creative practice, so they are better able to apply and take part in future creative opportunities. BOP wants to help nurture the future generation of talented disabled creatives.

📢 We are now recruiting for BOP Young Artists (Digital) 📢
(follow link for more info)

COVID-19 UPDATE

Our Young Artists’ work-in-progress showing was set to close Youth Theatre Arts Scotland’s National Convention of Youth Drama on March 20th 2020, which has been postponed due to the current COVID-19 pandemic.

However, we have now moved our work online and are excited to be adapting our new piece of performance (‘Locked World’) for digital release in Summer 2020!

Each of our Young Artists are also working with our Development Officer to create individual professional development goals and pathways. If you would like to discuss any opportunities your organisation might have for our Young Artists, please do get in touch!

The journey so far…

In December 2019, the Young Artists were involved in ‘Festive Scratch Night’ – a scratch night created in partnership with Glasgow Connected Arts Network and The Bold Collective.

The BOP Young Artists began creating their work-in-progress pieces in September, and took part in event-planning meetings through October and November, before the event took place on December 18th 2019.

You can read all about the BOP Young Artists’ experiences of the ‘Festive Scratch Night’ here!

  • A performer- his hood is up, his eyes are closed. One hand is on his heart, his other hand reaches upwards- hopeful.
  • A performer is onstage in a large wearable sculpture. A projector screen shows words which are also heard aloud- playing throughout the piece. A sign language interpreter can be seen, and a number of audience members.
  • A room, softly lit in pastel colours. Minimalist kinaesthetic decorations hang in the air.

From April 2019 til August 2019, the Young Artists took part in a wide range of activity – providing support and opportunities to develop their existing skills and knowledge, and to connect with other arts professionals across the UK.

Some of the activities they engaged in have included:

  • Access to Acting workshop led by Royal Academy of Dramatic Arts (RADA), at Scottish Youth Theatre.
  • Workshops on: making successful funding applications; employment and disability; self-employment and tax returns; roles in the theatre industry; and sharing our practice with others.
  • Observing rehearsals of Birds of Paradise and National Theatre of Scotland’s ‘My Left/Right Foot: The Musical’ at NTS’ purpose-built home: Rockvilla.
  • Attending performances of ‘My Left Right Foot: The Musical’ at Dundee Rep, and ‘Purposeless Movements’ as part of the Edinburgh International Festival 2019.
  • Attending a number of performances at the Edinburgh Fringe Festival 2019, including two performances by members of BOP Young Artists.
  • The silhouette of a house with many windows, set against a white backdrop, with a light shining through. Emily is kneeling on the ground, holding up the house- demonstrating some shadow puppetry to a group.
  • A number of performers participating in a movement exercise - they are stretching upwards, towards the sky.
  • Andrew stands beside a poster which has the full listings for National Festival of Youth Theatre 2019

MEET THE BOP YOUNG ARTISTS

Emily Beaney

Emily Beaney [she/her]

This piece portrays the unfolding of the two stage process of a tonic-clonic seizure. The ‘tonic’ phase, in which the body becomes rigid, and the ‘clonic’ phase, a jerking of the muscles. The phases are visually translated through the use of rigid, contrasting forms emanating from the body, and light, to reveal the surges of electricity in the brain.
The Storm Within. Performance series exploring neurological disorder and its effect on the body.

I enjoy working across disciplines to create outcomes that strive to be poignant, socially relevant and materially stimulating for the viewer’s senses.

These outcomes are largely ‘wearable sculptures’ for live art, activism and performance.

I experiment with materials such as fibre optics, metalwork, plastics and casted resins, alongside more traditional fibres and fabrics, to create striking sculptural forms. I also incorporate light, olfactory, sound and tactile elements in my work,

as I am fascinated by how our sensory experiences of the world can enhance our understanding of it.

My practice therefore seeks to establish how multi-sensory and immersive performance can effectively communicate meaningful messages and allow us to share in others’ experiences.

https://www.emilybeaney.com/

Jonathan Carlton

Jonathan Carlton [he/him]

Jonathan Carlton plays Panda Jackson in the Citizens Theatre's Gorbals Vampire 2016. Panda- wide mouthed, anger and fear in his eyes, and armed with a homemade weapon of sorts- makes an impassioned statement, as the rest of the characters onstage cower in fear a few feet behind him.
Jonathan Carlton as Panda Jackson in Gorbals Vampire, Citizens Theatre 2016 (Image credit Tim Morozzo)

I am an Autistic Actor who is passionate about Entertainment being Autism friendly, my focus is on utilising live Theatre as driving a force to creatively explore what Autism is.

The focus is on doing this through performance working as a performer and through directing performance working as a director.

The focus is also on delivering Autism Awareness support to the Theatre and Entertainment industry through consultancy work on how to be Autism aware and Autism friendly.

I believe the Dramatic Arts is the greatest art form in the world and I believe the Dramatic Arts should be a driving force to inform the world about Autism.

Ink Asher Hemp

Ink Asher Hemp [they/them]

I am a queer, trans, disabled creator, storyteller, activist

Theatre maker

A mentally fucked precariat

I’m a benefit scrounger and an art slag

I am white, For the most part I pass as male (I’m not), and For now I have secure housing

I walk through this world with privilege and benefit from so many systems of oppression

I have neither a passport or a birth certificate

I’m damn young and old as first atom

My heart runs on naivety and brain eats reality for breakfast, lunch, and tea

I’m a trouble maker

A considered trouble maker not act now and look at the laws later

I am 22537

I hate being photographed

I am recorded on upwards of 70 cameras a day

every day that I leave my flat

just like you

I live next door to 3 pigeons and a baby

I value my sleep

I value the future of freedom and democracy… autonomy and privacy

Emily Ingram

Emily Ingram [she/they]

Emily Ingram headshot

I’m a theatre-maker (and part-time arts administrator) with particular experience in producing, directing, and writing. I am interested in re-telling traditional stories in new ways with a focus on LGBT+ and women’s narratives. I am also a prop-maker and enjoy incorporating prop-work and spoken word influences into my creative practice.

Since 2015, I have worked as the Artistic Director of Some Kind of Theatre, an Edinburgh-based literary theatre company which I co-founded. Some Kind of Theatre (who are affectionately known as Skot) bring bookish new writing and literary classics to life onstage and in living rooms, care homes, offices, and schools, and we are striving to integrate accessibility into our organisation from our audition process right through to the way we bring our performances to our audiences. Since 2016, we have been running the Shakespeare On The Sofa and the Theatre On The Sofa schemes, which bring performances into the homes of people who can’t easily access theatre in traditional venues.

I’m really excited to be part of Birds Of Paradise’s Young Artists project and am enjoying learning from BOP and the other young artists who are taking part in the pilot scheme.

www.somekindoftheatre.co.uk

Robert McIntosh

Robert McIntosh [he/him]

Robert McIntosh plays a reporter in Citizens Theatres' A Night to Remember 2018. Four reporters stand onstage, clearly enthused by a story.
Robert McIntosh (2nd reporter from the left) in A Night to Remember, Citizens Theatre 2018. (image credit Tim Morozzo)

I am an aspiring actor and voice actor interested particularly in the role of the anti-hero and villain in story. I am interested in live theatre work, as well as voiceover work (including animated works and video games).

My passion for acting comes from feeling more able to fully express myself, by doing this through a character. Through my career, I want audiences to be excited about the talent of disabled actors, and to inspire future generations of disabled people.

Andrew Robertson

Andrew Robertson [he/him]

Andrew performs some parkour - he hangs from a horizontal metal pole around 2 metres off of the ground, using only his legs to keep him secure.
Andrew performing at the Merchant City Festival 2019, as part of the Moving Cities parkour summer course with Scottish Youth Theatre

[Transcript]

I am born in a world where everything is normal. And I don’t even like the word ‘normal’, or even, ‘reality’.

Imagination is art. Even though you see it, like cars and all that, we also created them. We are the creators of imagination. Anything could be possible- if you try.

I’m Andrew Robertson. I am not anybody but myself. I would refer to myself as: a human being that wants to have fun all the time.

The work that I make: I use my imagination to help people to understand. What I want for people is to see, not from my point of view. What I want them to see is what they can accomplish. I want them to experience the same thing: I want them to have fun, just like me, but in their own way, not my way.

Any further questions, please contact Morna at morna@boptheatre.co.uk or call us on 0141 552 1725

Supported by

The logo for The Robertson Trust.