Birds of Paradise Theatre Company

Scotland's touring theatre company promoting disabled artists and supporting the arts sector

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A deep pinkly lit living room. A woman is striking a man across the head with a walking crutch as he falls, dramatically, to the ground

Don’t. Make. Tea.

2022 & 2024

Don’t. Make. Tea. is a dark comedy by award-winning playwright Rob Drummond.

A witty ridiculing of the welfare state, the show explores a futuristic benefits regime through the assessment of Chris as she is forced to claim benefits. With bitingly satirical dialogue, and cutting-edge accessible staging interwoven through the show, Don’t. Make. Tea. confronts the lengths disabled people must go to in order to preserve themselves in an unjust system.

Don’t. Make. Tea. was first performed at Edinburgh’s Traverse Theatre in 2022. The show was remounted for a UK tour in 2024 in celebration of BOP’s 30th anniversary.

Written by Rob Drummond
Directed by Robert Softley Gale

Headshot of Dr Sally Witcher. A white woman in her late 40s or so. She wears a blue wool jumper and an orange headband over short-ish light brown / grey hair. She is looking warmly into the camera.
Blog 15 Mar 2024

A response to Don’t. Make. Tea. by Dr Sally Witcher.

Photo of a stage from right at the back of the seating bank. It's dark with five people seated in a curve on the stage. Also in place is a large tv screen, for one person who could not attend in person. An even larger screen behind the people displays captions and a BSL interpreter.
Blog 29 Apr 2022

A debate on disabled people’s experiences with the benefits system was held in April 2022, featuring key panellists discussing societal attitudes and the new Adult Disability Payment in Scotland.

An image from the Brew anthology showing text cut from printed documents laid on top of a piece of naturally dyed fabric. The text reads, "Can you read and understand signs, symbols and words?"
Project Sept 2022

Zephyr Liddell, Associate Artist, responds to the themes of Don’t. Make. Tea.

The Team

Gillian Dean – Chris
Aidan Scott – Ralph (2022)
Neil John Gibson – Ralph (2024)
Neil John Gibson – Able (2022)
Richard Conlon – Able (2024)
Emery Hunter – Frances
Nicola Chegwin – Jude
Robert Softley Gale – Director
Rob Drummond – Writer
Kenneth MacLeod – Set & Costume Designer
Louise Gregory – Lighting Designer (2022)
Grant Anderson – Lighting Designer (2024)
Jamie MacDonald – Audio Video Designer
Scott Twynholm – Composer
Mairi Taylor – Creative Producer
Yvonne Strain – Sign Language Interpreter Production Support
Alyson Woodhouse – Audio Description Consultant
Kirsty Biff Nicolson – Movement Consultant
Carter Ferguson – Fight Consultant
Cal MacDonald – SFX Make Up Consultant
Michelle Rolfe – Producer
Louise Gregory – Production Manager (2022)
Catherine Idle – Stage Manager on the book (2022)
Finley Dickins – Associate Production Manager (2022)
Giulia Pizziol – Assistant Stage Manager and Costume Supervisor (2022)
Colin Young – Filmmaker (2022)
Clare Canton – BSL Script Interpreter (2022)
Ann Thallon – Captioning Consultant (2022)
Niall Black – Production Manager (2024)
Elle Taylor – Associate Production Manager (2024)
Alison Brodie – Company Stage Manager – Rehearsals (2024)
Babette Wickham-Riddick – Company Stage Manager – Tour (2024)
Emma Skaer – Deputy Stage Manager (2024)
Giulia Pizziol – Assistant Stage Manager (2024)
Anne Kjær – Assistant Producer (2024)
Finley Dickins – Technical Manager (2024)
Josh Brown – Lighting Technician (2024)
Catriona Charlton – Wardrobe Manager (2024)
Rosie Ward – Technician
Robert Softley Gale – Artistic Director
Mairi Taylor – Executive Director
Michelle Rolfe – Producer
Kerry Lane – Office & Communications Officer
Morna McGeoch Fergus Arnott – Development Officer
Callum Madge – Engagement Manager
Zephyr Liddell – Associate Artist (2022)
Martha Williams – Associate Artist’s Assistant (2022)
Caroline Mentiplay – Personal Assistant
Ella Bowsher – Personal Assistant

Additional team members

Associate ArtistZephyr Liddell (2022)
Associate Artist’s AssistantMartha Williams (2022)

Production Team 2022

ProducerMichelle Rolfe
Associate Production ManagerFinley Dickens
Assistant Stage Manager & Costume SupervisorGiulia Pizziol
Personal AssistantCaroline Knowles
Personal AssistantElla Bowsher
FilmmakerColin Purves
BSL Script InterpreterClare Canton
BSL ConsultantAmy Murray
Captioning ConsultantAnn Thallon
Press & Marketing SupportSharon McHendry
Marketing DesignGreenlight Creative
PhotographyAndy Catlin
Trailerairship23.com

 

ProducerMichelle Rolfe
Assistant ProducerAnne Kjaer
Technical ManagerFinley Dickens
Lighting TechnicianJosh Brown
Wardrobe ManagerCatriona Charlton
Stage ManagerAlison Brodie
Company Stage ManagerBabette Wickham-Riddick
Deputy Stage ManagerEmma Skaer
Assistant Stage ManagerGiulia Pizziol
Personal AssistantsCaroline Knowles, Ella Bowsher
FilmmakerColin Purves
Press & Marketing SupportChloe Nelkin Consulting
Marketing DesignGreenlight Creative
PhotographyAndy Catlin
Trailerairship23.com

In BOP’s signature style of creatively integrated access, all shows featured audio description, BSL interpretation and captioning woven into the text of the production. Within the near-future setting of Don’t. Make. Tea., the high-tech access devices used by the main character Chris also provided access to the audience, as well as becoming characters in their own right over the course of the show.

You can find out more about how we approached access in Don’t. Make. Tea. by looking through the access section of the show archive, linked at the bottom of this page.

Tour Dates

5 – 8 October 2022
Traverse Theatre

IO Cambridge Street, Edinburgh EHI 2ED

21 – 22 March 2024
Traverse Theatre

IO Cambridge Street, Edinburgh EHI 2ED

26 March – 6 April 2024
Soho Theatre

21 Dean Street, London WID 3NE

9 April 2024
The Gaiety Theatre

63 Trongate, Glasgow GI 5HB
Venue access video

11 – 13 April 2023
Tron Theatre
16 April 2024
Lanternhouse, Cumbernauld
19 April 2024
Ffwrnes

In the Media

“laugh-out-loud comedy, psychological thriller, and deep conversation on the disabled experience of the state”
“brings a laser-like focus to the current plight of disabled people in Britain”
” laced with dark humour and some genuine surprises. Cleverly crafted to be accessible to the widest possible audience, it’s an exciting slice of contemporary theatre.”
Trailer for the 2024 UK tour of Don’t. Make. Tea.

Special Events

Alongside the Don’t. Make. Tea. tour, BOP hosted two discussion events titled “Disability benefits in the UK — a serious response to a dark comedy”. The first event was held in London and the second was a national online conversation.

Participants from across arts, social care, disability rights and activism were invited to discuss the difficult questions: How do we, as a society, support disabled people? Why do we have a benefits system and what can we do to make it better? Is it just about money?

Supported by Graeae Theatre Company, CRIPtic Arts, Tourettes Hero, Disability Benefits Consortium and Disabled People Against Cuts, BOP hosted these events to ask big questions that have no simple answers. With key provocations from Jess Thom, Dr Sally Witcher and Ellen Clifford of Disabled People Against Cuts, we held space for discussion, allegiance building and action planning.

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Production Story

Don’t. Make. Tea. was first performed at Edinburgh’s Traverse Theatre in 2022. The show was remounted and updated for a 2024 UK tour in celebration of BOP’s 30th anniversary.

Both productions were accompanied by events and projects that encouraged audiences to engage in different ways with the themes of the show. Online and in-person discussion events supported by Graeae Theatre, Disabled People Against Cuts and the Disability Benefits Consortium held space for debate and strategic discussion. Meanwhile, Associate Artist Zephyr Liddell facilitated BREW, a collaborative art project using found poetry and natural textile dyeing.

The Don’t. Make. Tea. archive page is currently under construction. You will be able to find out more about the show, including interviews, media and production information, by visiting this page when it goes live.

Thank yous

Since 2019, many people have contributed to the making of this show. We would like to thank them all starting with the people that Rob interviewed in the early stages as well as the two development casts.

Thank you to everyone that contributed to BOP’s Benefits Debate in April 2022. Additional thanks to Jess at the National Theatre of Scotland and Arion at Scottish Opera, Blue Parrot, Big House. 

Finally, thank you to everyone at the Traverse and all venues on the 2024 tour for making us feel at home.